Captain Phillips
Crime, Drama, Thriller, Action, Adventure, Biography
IMDB rating:
Paul Greengrass
Tom Hanks as Captain Richard Phillips
Faysal Ahmed as Najee
Mahat M. Ali as Elmi
Mohamed Ali as Asad
Barkhad Abdi as Muse
Michael Chernus as Shane Murphy
David Warshofsky as Mike Perry
Yul Vazquez as Captain Frank Castellano
Chris Mulkey as John Cronan
Corey Johnson as Ken Quinn
Catherine Keener as Andrea Phillips
Max Martini as SEAL Commander
Storyline: Captain Phillips is a multi-layered examination of the 2009 hijacking of the U.S. container ship Maersk Alabama by a crew of Somali pirates. It is - through director Paul Greengrass's distinctive lens - simultaneously a pulse-pounding thriller, and a complex portrait of the myriad effects of globalization. The film focuses on the relationship between the Alabama's commanding officer, Captain Richard Phillips (two time Academy Award®-winner Tom Hanks), and the Somali pirate captain, Muse (Barkhad Abdi), who takes him hostage. Phillips and Muse are set on an unstoppable collision course when Muse and his crew target Phillips' unarmed ship; in the ensuing standoff, 145 miles off the Somali coast, both men will find themselves at the mercy of forces beyond their control.
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Resolution 1920x800 px
File Size 10073 Mb
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Bitrate 1536 Kbps
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Type HQ DVD-rip
Resolution 720x304 px
File Size 1466 Mb
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Bitrate 1529 Kbps
Format avi
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1080p 1920x800 px 10073 Mb h264 1536 Kbps mkv Download
HQ DVD-rip 720x304 px 1466 Mb mpeg4 1529 Kbps avi Download

Taut, thrilling and surprising empathetic
What a stunning film - the imminent threat of deadly violence tempered with the tragic circumstances that drive people to such desperate actions made for a very human story.

If Hanks is nominated for an Oscar for this, then Barkhad Abdi deserves a nomination too, because their scenes together were electric - never once did Abdi appear the junior party, every bit Hank's equal as two cunning foes trying to outfox one another.

The best lines in the film were perhaps when Phillips beseeched of Muse: "Surely there's something other than fishing and kidnapping people you could do?"

To which Muse replied, sombrely: "In America, maybe".

It's a must see, the best film I've seen this year.
A tense fight for survival
Although it was very positively reviewed and Tom Hanks and Paul Greengrass have done some great films in their respective careers, there was the uncertainty as to whether 'Captain Phillips' would be my cup of tea.

The good news is it very much was. Although it does stray from the facts quite a bit, 'Captain Phillips' takes a remarkable and harrowing true story and tells it in a way that's utterly gripping and full of tension and emotion. It won't be for all taste-buds, especially for those who don't like shaky cam, but it is very easy to see why 'Captain Phillips' was and still is received so positively. It's not quite a masterpiece or flawless, it does go on a little longer than necessary which occasionally bogs down the pacing (15-20 minutes shorter would have made a difference) and, although there has been far worse abuse of the shaky cam technique, some of it does get excessive and leaves one feel a little sea-sick.

However, 'Captain Phillips' does more right than it does wrong and boasts some of Greengrass's best directing in one of his best films and one of Hanks' best performances in recent years. Greengrass keeps the tension levels high, maintaining urgency and the more violent moments are explosively powerful. He is particularly good in showing the increasing desperation when things go wrong as well as the horrors of the situation. Hanks is at the height of his powers here, boasting some of the most powerful acting he has ever given, particularly in his very poignant final scenes.

One mustn't overlook Barkhad Abdi, who brings intensity and vulnerability to a character who seems like a villain at first but turns out to be much more than that. The rest of the acting is fine, though Hanks and Abdi are the ones that dominate.

'Captain Phillips' is well made, while some of it is excessive there are other instances where the shaky cam heightens the drama and dizzying intensity. There is an audacious grit throughout. The music pulsates thrillingly without being repetitive or overbearing. The script is thought-provoking and has tightness and also nuance that stops things from being patronising.

Story-wise, 'Captain Phillips' is riveting, there is a heart-pumping urgency throughout and the tension, claustrophobia and desperation escalates and increases to nerve-shredding effect in its best moments. The emotion of the final act crescendos thrillingly and heart-wrenchingly and it is enough to bring tears to the eyes. So much its honesty, pathos and power, Hanks gives it everything to these scenes. The characters are hardly neatly black and white while motivations and character decisions are clear and logical.

In conclusion, tense and powerful, highly recommended. 9/10 Bethany Cox
Honest, but dramatically underwhelming,
A zodiac of Somali pirates charges after a cargo freighter, while the captain attempts to keep them at bay with his water cannons, but they manage to get close enough to jump on board.

As the movie progresses it becomes increasingly obvious that the scrawny high jackers are in a pickle. Once the US forces engage them, their only bargaining chip is the captain's life. The pirates have their AK-47's but they never seem managing enough to even consider pulling the trigger. The fact that the pirates speak English is a problem for the movie. A hostage taker is far less intimidating when you can communicate with him. Captain Phillips manages to seem very casual as he gives his captors a tour, and even offers them food from his kitchen.

You can't go wrong with Tom Hanks as the virtuous 'good soldier' who represents American model citizenship wherever he goes. Captain Phillips gets by on his performance, but it's not nearly as thrilling a story as most would have you believe.
darn i hate shaky cameras
I went to the movie on release day. Primarily to watch Tom Hanks performance and to enjoy thriller. To my surprise it was one of those movies like Chronicle, United-93 etc. It is shot with shaky cam. There should be some suggestion or warning sort of thing to warn the audience that it is a queasy cam movie. I came out of theater with in 10 minutes. I didn't expect Tom Hanks movie to be a queasy cam movie. I felt bad because I couldn't watch Tom Hanks movie. And my money is wasted. There should be a genre for shaky cam movies like we have for comedy, thriller etc movies. I will wait to watch this on my laptop after blue ray print is out on market.
Doesn't stay afloat
Captain Phillips is a movie which is certainly well-made but ultimately unsatisfying. The production values are there, the entertainment is not. This should be a tight, taut, tense thriller. But the tension seeps away long before the movie finally draws itself to a close. The movie certainly has a captivating, true-life story to work with, a story which would seem to have great potential. But that potential is unrealized. The movie disappoints.

Tom Hanks plays Captain Richard Phillips, who is in command of a huge cargo ship headed to Kenya. Rather awful attempt at a Boston accent aside, Hanks is otherwise reliable as ever in the role. And the completely unknown Barkhad Abdi proves a worthy acting adversary for Hanks. Abdi plays Muse, the leader of the gang of four Somali pirates who hijack Captain Phillips's ship. The first half of the movie, setting up the hijacking from the perspectives of both Phillips and the pirates and then the hijacking itself, works reasonably well. The second half of the film, with Phillips having been taken hostage by the pirates as they fled the giant ship in a small lifeboat, works markedly less well.

Initially there is great tension as hostage Phillips tries to keep his wits about him and keep himself alive while rescue plans are set in motion. But then the movie just kind of sits there. It becomes very repetitive as we wait for that potential rescue to come. Interactions between Hanks and Abdi, Phillips and Muse, are good. But the other three pirates make either a bad impression or no impression at all. The only other standout, and not in a good way, is the character of Najee, the hothead of the pirate group. His frothing rage wears thin quite quickly. Maybe the true-life counterpart really was like this but in the movie it seems way over the top. He's the designated villain but he's too villainous for the film's good. There are some things to admire about the film. Hanks is solid, the young unknowns playing the pirates do reasonably well with their roles, with Abdi doing quite well indeed. The movie looks good, it was clearly a challenging movie to shoot and director Paul Greengrass pulls that aspect of the proceedings off well. Though there is definitely the sense a steadier camera would have worked well at times, there's only so much shaky-cam you can take. Ultimately though, as with any movie, the most important thing is the story. This story had great promise but for whatever reason it just doesn't work. As the movie careens towards, and then over, the two-hour mark the tension fizzles away. You've had enough and you're just ready for it to be over. This compelling real-life story ultimately makes for a less than compelling movie.
Motion Sick
My wife and I were looking forward to seeing this movie. We love Tom Hanks, and the trailer looked good and the story was compelling. But we had to leave after only 30 minutes, because the shaky camera BS made it too hard to watch the movie, and my wife got sick. Ready to throw up sick. I just don't see the point behind this kind of film-making. This wasn't the Blair Witch Project. It wasn't "ostensibly" filmed by an amateur with a hand-held video camera. This "technique" doesn't even make the scenes more "realistic", because the human eye doesn't see action in a shaky camera way. It's just annoying. Really annoying. I wish they'd stop making movies this way. If you get motion sick at all, don't waste your money on the big screen version. Wait for the rental version...maybe it won't be so bad.
As thrilling as his Bourne movies but more significant and poignant in its portrayal of everyday heroism, Paul Greengrass delivers one of the most compelling films of the year
Even before he checked into the second and third instalment of 'The Bourne Trilogy', British filmmaker Paul Greengrass had already proved himself the master of cinema verite with his dramatization of the events of September 11 on board the ill-fated 'United 93'. And in 'Captain Philips', based on the remarkable true story of four Somali pirates who hijacked the American freighter Maersk Alabama and held its captain on board a lifeboat for five days, Greengrass repeats that same feat by taking a story for which the outcome is already known and turning it into a gripping, harrowing, and deeply emotional thriller.

In adapting the ship's captain Rich Philips' own memoir of his ordeal, Greengrass and his screenwriter Billy Ray respectfully retain their titular character's perspective of the situation; but beyond that - and also what makes it even more compelling - is how their movie goes beyond his amazing display of everyday heroism to explore the poverty, desperation and cynicism that drove four Somali fishermen to become high sea pirates.

And so the opening offers not just one but two perspectives - the first sees the middle-aged Philips packing in his Vermont home and driving to the airport with his wife (Catherine Keener); and the second, set on the beach in the pirate city of Eyl, Somalia, has leader Muse (Barkhad Abdi) recruiting his crew for their next mission which would be Philips' cargo ship. Greengrass demonstrates his commitment to tell both sides of the story throughout the entire movie, refusing at any one point to demonise Philips' captors; instead, he depicts them as ordinary men driven by political and economic circumstances to end up at odds with Philips.

There has always been a kineticism to Greengrass' storytelling, and this is no different. With assured economy, Greengrass brings his audience right into the heart of the crisis, as Philips is quickly confronted with the threat of two rapidly approaching skiffs bearing hostiles. What follows unfolds with immediacy and urgency, with Philips forced to adopt evasive manoeuvres in order to thwart Muse and his crew's attempts to board his ship but eventually being forced to do what is necessary to preserve as many of his crew's lives as possible. It's hardly any secret that Philips will end up on a suffocating lifeboat as their hostage, but you have to hand it to Greengrass for staging the action with such fluency and white-knuckle thrill that you'll still be caught by surprise by that turn of events.

Collaborating once again with cinematographer Barry Ackroyd, Greengrass hews to a familiar visual style that combines hand-held photography, quick edits and a propulsive soundtrack. Unlike lesser filmmakers which botch the use of shaky-cam, Greengrass' previous experience in shooting documentary features has honed his ability to shoot long unbroken sequences on handhelds, and that trademark style here works wonders in capturing the verisimilitude of the characters' predicaments. From the open sea to the interior of the cargo ship and finally to the claustrophobic confines of the lifeboat, Greengrass' shooting technique pulls you deeper and closer to Philips' life-and-death circumstance.

But this is as much a Greengrass movie as it is one of Tom Hanks. The Academy Award winner of such classics like 'Forrest Gump' and 'Apollo 13' has seen his career languishing in recent years, but as the seaman thrust into an impossible situation, Hanks registers one of his career- best performances. Putting his Everyman persona to excellent use, Hanks invites you to identify with and believe in his extraordinary struggle of courage and mettle. It's a masterful performance, one full of nuances that evolves ever so subtly as his character is forced to react with the changing circumstances and hits a peak when finally he is called upon to re-enact the captain's succumbing to post-traumatic stress. Hanks is on excellent form here, portraying Philips' fear, bravery, and anxiety in a perfectly calibrated minimalist act.

Much has also been said of Mogadishu émigré Barkhad Abdi's spellbinding debut, and it is indeed extraordinary. Despite possessing zero acting experience, Abdi proves a perfect foil for Hanks, especially as Greengrass turns his focus in the latter half of the movie on the edgy relationship between Philips and Muse. Ray's sharply written screenplay slowly but surely allows both characters - and us - to realise that they are mere pawns in a larger geopolitical context not within their control, and while Abdi is never less than forceful in his display of skinny bravado, Hanks complements that with his earnestness and empathy - a scene towards the end where he sits in despair recognising the inevitable fate awaiting his captors after failing to convince them to surrender is simply humbling to watch.

Yes, there's no doubt Philips is a heroic figure, and Greengrass diminishes none of his amazing courage even as he adds to that portrayal the humanity of Philips' captors. It is a richly textured story, told as a blow-by-blow procedural of how Philips ended up in that calamity, how he managed to save his entire crew under extreme duress and how eventually after five days he emerged against all odds with his life intact. That Greengrass can direct a taut and captivating thriller is something we already know from the 'Bourne' films, but 'Philips' easily qualifies as one of his best, because it possesses an emotional intensity that goes to the heart of the human spirit, a pure and elemental struggle against adversity for survival. Together, Greengrass and his excellent leading man Hanks make you feel up close and personally engaged through and through with Philips through his ordeal, and it is an experience you won't quite soon forget.
Starts well, but dragged on.
We watched the film, and after 30 minutes, started wondering why this was supposed to be so good. Well it all became a rather boring experience, and keeping our eyes open until the end , became a bit of an ordeal. Sometimes we viewers can be seduced into overpraising ordinary story telling, when the work fails to entertain, having been over hyped up by the media. Far too long, and be sure to have the guts to check out the less positive reviews, before deciding to watch this overlong, and dull production.
More like a drama than an action movie
There is one question in my mind that is never addressed in the movie: why did they go near pirate infested water with no weapons? If they had guns or shields they could have repelled the pirates. Since the issue is not addressed, I can only assume the captain is stupid, which makes this a movie about a stupid person.

I also don't find Tom Hank's performance realistic. He acted too calmly, and didn't even break a sweat. Strangely, near the end he had a nervous breakdown. It almost look fake considering how calm he had been up to that point.

Another thing that didn't make sense is why the pirates would leave the ship at all. When the ship's crew released the pirate captain, he could simply stay on the ship.
Desperately in need of a tripod
1) Redefines the word "shaky cam" and I'm not even talking about action scenes. I'm talking about the whole film, even those scenes filmed on land. It seems that all the money went to pay Hanks and they didn't have enough left for a tripod. After the first 4 minutes of this film I needed a brown bag.

2) Speaking of brown bag, the opening scene is so stilted and forced, I knew that the rating of this film had to be skewed. And Tom Hanks' accent - what on earth was it? A New England or Boston accent? The word "suck" does not even do the atrocious attempt justice. Hanks does a good job doing Hanks - that's it. He's not a great actor - just great at his one dimension playing himself.

3) The story is based on a true story.... loosely. What makes me positively ill is that this hero tripe is passed off as if it was the real thing, which it isn't and wasn't. But Hollywood needs to have a hero who is greater than life, passing it off as if it was true and that "based on a true story" means it's basically the truth but a summary of what actually happened.

So if you value your time and keeping your food down, this movie may not be for you. It's really not very good and extremely amateurish. But with Hollywood tossing out dreck every month and redoing every prior film, musical, superhero and idea they can get their hands on, even this tripe looks good to the sad masses.
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