Crime, Thriller, Action, Adventure, Mystery, Sci-Fi
IMDB rating:
Christopher Nolan
Ellen Page as Ariadne
Tom Hardy as Eames
Ken Watanabe as Saito
Dileep Rao as Yusuf
Cillian Murphy as Robert Fischer
Tom Berenger as Peter Browning
Pete Postlethwaite as Maurice Fischer
Michael Caine as Miles
Lukas Haas as Nash
Tai-Li Lee as Tadashi
Claire Geare as Phillipa (3 years)
Storyline: Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible-inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming.
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Overrated because it makes people "feel" smart...
Christopher Nolan has done some great work.

His ideas and direction singlehandedly gave new life to the beloved superhero Batman.

While the film Dark Knight will always be recognized to the new dimensions it added to the classic Batman series of movies and comics, Inception was nothing more than a dull and linear plot, surrounded by and an even duller and more linear plot.

The centerpiece of this movie was supposed to be its convoluted storyline which was scattered across multiple levels, in essence puzzle that forces the viewer to think through the movie and decipher the ending.

The concept of "levels" and or "interconnected plots" worked very well for such great films such as the Matrix, 2001 A Space Odyssey, Logan's Run, or Total Recall. Inception not only miserably fails at this but it also lacks in other places as well.

-Characters: Great actors, whom have all done great work in many movies spanning decades. However the characters in this movie came off as neutered eunuchs who lacked sense, emotion, and any sort of cohesiveness. (Sir Michael Caine and Tom Berenger's performances were appalling and the "team" of dreamers lacked screen dynamics and chemistry.)

-Action: For a dream world, the action in this movie is very unimaginative and is well within the typical Hollywood bounds. Car cash scenes where the heroes drive and shoot, building shootouts, and melodramatic bullet wounds (as always one character is wounded critically, the team must save him; however the character can still "fight".)

-Plot: This movie could have easily been over within 1 hour of rolling. Not only was Inception's "puzzle ending" blatantly obvious 40 mins into the film, but the storyline it self lacked any substance or draw. The overly complicated "puzzle piece" effect which Nolan was trying to achieve, was nothing more than the main story line being surrounded by excessive fluff and whimsical bullplop.

*I will credit the movie with one notable mention. Nolan managed to work a Matrix style fight scene (which have been overdone by Hollywood since the early 2000s) into the small confines of an elevator.

In the ending, Inception is not the great rave that many make it out to be. While the movie takes place in a "dream world", where bounds are limitless, the movie itself is sterile, cliché, repetitive, and unimaginative. This is even further compounded by one dimensional characters, and a drawn out storyline that pretends to be an enigma.

Perhaps Christopher Nolan's true intent was to make a sterile and lack luster movie aimed strictly at making today's self-absorbed and obtuse Facebook-hipster generation feel "smart".

Inception can be compared to a class presentation where the student is unprepared. To hide this, the student uses convoluted and circular logic to stammer through the presentation and pass the time. It is obvious that the student knows nothing and has wasted several minutes talking about a subject that could have been explained in seconds. Nonetheless, since the student used "big words", talked excessively, and is deemed to be in the "mainstream" the class gives a standing ovation regardless...
Just when I thought I was stuck in a dream(nightmare), I find some realistic reviews of this tosh!
Perusing the top 250, I was shocked to see this in the list, never mind so near to the top. I make no apology for admitting, that I fell asleep on numerous occasions (though kept re-winding). This is something I haven't done since Transformers (no re-winding),despite the thundering 5.1 soundtracks. Both these movies are style with no substance, but, back to this one.

Has the need to appear intelligent by "loving" this film, so resulted in an "Emporer's new clothes" atmosphere? Can the slip-shod writing and drum-roll, sign-posted direction be so easily forgiven, in lieu of it's unique premise? (nobody mention The Matrix!)

I hope this tumbles off the list as time passes, because it devalues some great picks and under-ground, high-points, that have already made it, thanks to some more discerning movie-goers.
A Dream within a Dream within a Dream within a Dream.
When a liquid is poured into a container, the liquid assumes the container's shape is a well known law of Phsyics. The underlying theme of this movie is Energy production. This story uses one's stages of dream states in individuals. Now comes Inception with its notion that it can change the liquid poured into the container, a chosen human target, thus altering that man's dreams and his consciousness for a desired outcome; A Dream within a Dream at deeper levels and stages of the human mind's dream states. This sums up the production of this nonsense spectacular special effects production, onward with baloney gibberish dialogs! It's ending is as pathetic as anyone could hope for! I felt disappointed with this movie, despite of the enormous efforts that were put into it by this production's Special Effects Unit who had copied and duplicated their special effects from "Men in Black" and from "The Matrix." All in all, this Sci-Fi story is an over publicized ESPIONAGE NONSENSE! I MEAN AN UTTER AND TOTAL NONSENSE!!
A 4 Masquarading as a 10
I am astonished by the reviews posted. My only explanation is that this deadly dull movie put everyone else to sleep and they thought they saw a better movie. The performances were very lackluster and the actors all (except for Tom Hardy) looked like they were performing in their sleep.There was no reason for any of the characters to be involved in this plan from a personal motivation reason, and their behaviours were completely arbitrary. Did they get paid for their time or was there some other reason to what they were doing in this scheme with the main character? I felt no connection or empathy for the main character or his motivation. There was no sense of unreality or mystery one would expect in a dream. The action sequences were dull and seemed to be just shooting people because there was a perceived need to have some gun fire. I struggled to stay in the theatre and see it through let alone stay awake.
Nolan's Ego
The title pretty much sums the movie up. An absolutely amazing cast and incredible premise was almost wholly pushed to the margin by special effects and "action". My hopes were too high. Nolan was clearly out of his depth as far as intellect goes and totally blew the chance to pull off an epic, unprecedented dream heist flick.

Dear Nolan, if you're reading this: You can give guns, grenade launchers and C4 to a cast of unknown actors, place them virtually anywhere and have them destroy everything in sight for two hours, and it would have been just as good as this movie.

Thanks for ripping me off by luring me in with an allure that promised slick corporate spies engaged in mind games in surreal settings and instead taking it from a promising half-way point into a senseless visceral joyride that was quite literally the cinematic equivalent of van Gogh painting Starry Night then taking a bowie to it and slashing it to ribbons before the paint has a chance to dry.

It's painfully clear that you wrote the script to allow you to stroke your ego with the most over-the-top action flick you could cook up. With the money you spent on all the great actors you employed for this, you could have hired a dozen great writers to develop a script that would have actually been worthy of their talent. You sir, simply WASTED it. I actually feel embarrassed for Michael Caine. That such a fine actor was dragged into this crap is sad. You could have just flashed a still photograph of his face for a few frames and it would have sufficed since you don't pause for even a second to develop ANY of the characters except for Cobb and anyone with half a brain was probably wondering WHY character development was so scant in a film that deals so heavily with the subconscious mind. No, I guess a car chase was more important.

It's entirely beyond me why you tainted your ego-stroking action flick with a genuinely thought-provoking premise when all the "smart parts" flew over the heads of your target audience by a wide berth.

tl;dr version: shallow, pseudointellectualist excuse for making an obscene, self-gratifying action flick. I hope to god you get your money's worth if you actually pay to see this garbage.
This movie was terrible. It tried to be something ground breaking and emotionally challenging, but fell terribly short on all fronts, starting with the basic premise. I am expected to believe that a group of people smart enough to construct an elaborate plot involving breaking into other people's dreams are not smart enough to reunite a man with his family without getting stopped at customs? That's stupid. Fly to Mexico and walk. Or fly the kids to you. This giant plot hole is unfathomably stupid, as is most of the dialogue in this two and a half hour nightmare. I think my personal favorite line in the movie was when DiCaprio's character told his dream wife that he could not do her justice because he could not remember all of her perfections and all of her imperfections. You can't have both stupid. This movie is probably mindblowingly deep and meaningful if your education stopped in grade school, but if you have a least a GED, don't waste your ten bucks.
All right.....
The film is a disappointment, because it did so little with so much. Basically what you have here is a very interesting sci-fi heist premise; Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are partners who use dream-invasion technology to steal industrial secrets from unsuspecting mass transit passengers (why any powerful people in such a technological age would travel on mass transit, is just one of the many obvious questions the film expects us not to raise) while they doze. In exchange for immunity to a troubling criminal charge against Cobb, they agree to undertake an unprecedented mission: to practice "inception" on a powerful business scion, that is to plant an original idea in his subconscious through the dream manipulation.

All of this is great, but unfortunately none of it has any emotional weight. To find that we have to look into the mystery of why Cobb has been in exile, and this plot has to do with his wife (Marion Cotillard) with whom he shared a disastrous and traumatic experience of dream sharing. This is to me where the movie essentially falls apart. It seems like Nolan and the other writers never fully synthesized these two dominant strains in the film, so that most of the time the emotional drama is just getting in the way of the heist film or vice a versa. At no point did it seem to me that the heist was complimenting the drama or vice a versa. And in fact after some very impressive effects sequences during the scenes where Cobb shows his new assistant Ariadne (Ellen Page, too green to hold up her role) a lot of the action becomes outright tedious, never more so than when we're "treated" to about a reel or ten minutes of numbing snow-mobile and gunfight action, right at the point where the film should be reaching a climax. It all starts to feel very obligatory, and Nolan is not a good enough action director to make empty content feel like fun.

As a basic action/heist movie with sci-fi premise, it still works well enough that I would recommend it as a rental. Nolan works in some of the elements that have made some of his better films work on a higher level, such as the association with totems and icons (the spinning wheel, etc.) and the connection between memory or memory devices and identity. However when all the pieces are laid out, the film seems overly simple and mechanical. The plot is just this -- the guy takes a job, he does the job, he gets to re-unite with his kids. Although he constantly mopes about in a depression because he tried inception on his wife and she died, he has no ethical or moral problem with doing the same thing to Cillian Murphy's character, even though nobody knows the real consequences that could befall or the true motives of Ken Watanabe's character. I was hoping that some larger picture would emerge, but instead this film is politically naive and instead attempts to be dramatic. The constant shots of adorable children playing on the lawn made me feel I was watching a bad Spielberg film. The entire emotional anchor of the film is put on the shoulders of these cute kiddies in true Spielberg fashion. If you don't buy into this ridiculous soft-target hook, then the whole film collapses like DiCaprio's dream world.

This isn't a bad or stupid film, but after a while you start to yearn for at least some human warmth or humor, which is almost always missing from Nolan's films. The characters are so sincere that it starts to become suffocating, especially considering how ridiculous the premise is when taken seriously. Basically this is like "Total Recall" in terms of ideas and in terms of stupid action scenes, except that it takes itself hugely seriously. It does not become a better film by doing so, nor a more intelligent one.
Hollywood at its absolute WORST
I had huge expectations for this film reading all its glowing reviews. And yet even before it started and the menu fired up, alarm bells were going off. Explosions left right and centre, great CGI.....all suggested a lack of substance. For the first 20 minutes, I couldn't believe just how bad this film was. Drop the viewer into a complete state of confusion to look good?.....except that this is always a risky strategy, one which a only few films have eloquently pulled off, the nearest comparable being The Matrix, which this most certainly isn't- although it tries so hard to be in terms of style and delivery. Yes the CGI and special effects are at times breathtaking. It's just such a shame that the storyline was utterly ridiculous, disjointed, confusing dispassionate and so very, very boring. Great effects DO NOT make for a great film necessarily. A note on casting. Like the film, this is truly awful....what on earth was Leonardo Di Caprio thinking?! My wife totally embraced the subject matter- she fell asleep and the only thing stopping me from dozing off was the desperate hope that that this film would improve. It didn't. Inception completely encapsulates all the worst in Hollywood. Utter rubbish.
What Nolan doesn't know about humanity
At one point Cobb tells us that despite his best efforts, he cannot create a dream wife with the depth and complexity of his real wife. Could this be Nolan's own subconscious, commenting on his own limitations as a writer and director?

Cobb undertakes to plant an idea in someone's head so that Cobb's employer can monopolize an industry. Cobb succeeds, and thereby recovers his own life. No one in the film questions the morality of this; the film doesn't really question the morality of this, or invite the viewer to do so. Apparently, it's just business. Although in a way that is often thin, banal, or hypocritical, usually the sentiments offered to us in movies managed to stay aligned with basic ideas of good and evil. Not in the case of Inception. The popularity of this movie is a little frightening.
Inception didn't bring anything fresh and original like everybody's claiming it has and calling this an intellectual movie is an insult. It tried, but it didn't succeed due to poor, nonsensical writing.

The soundtrack doesn't match the movie, it's too suspenseful in a movie with no suspense whatsoever.

The mission is something I can't really connect with and I don't know who can really.

There was really no sense of any danger at any point as it was all in a dream(s) and the limbo idea didn't make any sense. And by using that limbo concept on the character you couldn't care less if he lived or died, come on, who would care about a multi-millionaire asshole that's trying to get even richer by destroying his competition? He couldn't go back to the US because "They think I killed her"? Is that how the law works now, there was no evidence that he killed her, no witnesses, nothing, he would never be convicted for it, Leonardo, go back and go to court please ;-) They could have used more imaginative dream worlds instead of Dark knights Gotham city in day time, James Bond ice Fortress style and a Matrix like corridor (hallway).

The faceless subconscious militia, booooring. Or maybe the problem is that the subconscious of all of these people have no imagination. How come there was no crazy dream like scenes in a movie about dreaming? My dreams are much more interesting than the scenes of this movie...

I could go on and on but I just want to lower this high rating, because 9 out 10 is 3 or 4 more than this movie deserves.
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